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SUBTITLING MADE POSSIBLE BY

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RLJ ENTERTAINMENT

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Do you like it?

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- Magnificent.

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Without our Sundays,

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I'd go potty, I think.

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Thank you, Jack.

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You're still not

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relaxed, Beatrice.

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Look at that frown.

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- I'm sorry.

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I can't stop

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scrutinizing things,

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just to see if it

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sets off any ideas.

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- For the collection.

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For the collection.

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So far, we've settled on blue.

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Blue is the key color.

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We can't seem to decide

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on a theme.

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- I don't see how that --

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Has Evie had any ideas?

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- She's a bit stumped,

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too, I think.

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It all ties in --

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Nocturne, a nightpiece --

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and we'd already decided

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on eveningwear

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in a range of blues.

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Well?

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- Yes. Yes, Evie.

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And we make that the title

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of the collection, Nocturne.

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Not by Chopin or Whistler,

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but by the House of Eliott.

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Oh, well done, Evie.

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We've got our theme. [Laughs]

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[Knock-knock]

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A letter, milady,

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from America.

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- Thank you, Chalmers.

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I thought the fabric

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should be in shot taffeta,

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to get that

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shimmering effect.

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- Hmm, and the turquoise

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adds a lighter note.

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That's lovely.

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It's like --

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It's like one of the colors

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in his other Nocturnes,

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the blue and green.

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- Hmm.

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You know, Evie, those

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paintings are famous now,

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but, in their day, they caused

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the most enormous fuss.

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Whistler was controversial.

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I was wondering if we should not

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just be a bit daring, you know,

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put colors together

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that don't necessarily.

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Is this my practical,

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businesslike sister?

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Well, not the whole show, but,

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just the final tableau.

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"Final tableau". Gosh,

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sounds like a Charlot revue.

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Well, Jack says we should be

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as big and bold

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as if we were on the stage

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of the London Coliseum.

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Oh, well,

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if Jack says, then.

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Ohh.

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- Bea, it's a good idea.

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I just think,

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well, it needs --

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- I know, refining a little.

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Start again.

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Here we are, boys.

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- [Clamoring]

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Hello, there, ma'am.

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- Make sure -- that box --

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you need not let in.

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Okay. Put your arm

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round my shoulder.

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Miss Maddox.

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A word, please.

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- I wonder

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what she wants now.

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Okay. Take it easy.

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Take it easy.

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Put your arm round my shoulder.

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There you are. Careful, now.

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But I've always gone out

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with the van!

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The church is playing

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a bigger part, now.

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Reverend Adams is a very capable

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man. Doesn't need help.

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And what am I supposed to do,

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sit about here all day,

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leaving everything to others?

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You might spend a little time

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trying to think up

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new ways of raising money.

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I've been doing

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the accounts.

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Our bank balance is far

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from healthy.

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I'm not an accountant

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or a miracle worker.

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They've appointed you

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administrator.

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You think of something.

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To make real money,

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we need something

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like this.

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Well, what are they

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supposed to be doing?

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It is a dance, Miss Maddox,

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for charity.

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[Sigh] A charity ball?

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That is grotesque!

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If people had any real heart,

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they would just give.

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They're just parasites!

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- I think a charity ball

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sounds a good idea.

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Oh, and in which book of the

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scriptures did you read that?

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- Theology was never

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my strong point, Penelope.

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if it's between faith and works,

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I plump for works.

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Now, who could we get who could

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give it exactly the right...?

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Valance!

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Claude Valance.

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- Well, who's he?

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A very distinguished man

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of fashion.

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If I wanted fashion,

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I would just go

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to my friends the Eliotts.

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The Eliotts?

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I've never heard of them.

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Monsieur Valance

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is a couturier, French.

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He could be

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the guest of honor.

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I do think it's a good idea.

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Sometimes we have to do

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things we don't like,

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in order to raise money.

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I'm quite pleased

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with this,

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so I have another

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little chore for you.

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They're in

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a French magazine,

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but you'll have to

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help me.

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I simply can't decide

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which one.

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I'm terribly sorry, but,

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we're not doing this

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kind of thing anymore.

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What kind of thing?

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We only do originals.

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No copies.

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But you've done copies

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for other people.

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I've seen them

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on my friends.

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Our policy has changed.

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You see, we have a reputation

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now for original work --

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How damnably arrogant.

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Aren't you getting a little

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above yourselves?

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Every house has its own way

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of doing things.

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Well, from now on, you may

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do them without my patronage.

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Don't ever expect

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to see me here again.

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- Madge, will you get

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Miss Ratigan a taxi, please?

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Taxi!

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Well, that's a landmark:

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the first customer

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we have ever turned away.

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I hope we've done

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the right thing.

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- Bea. Supper tonight.

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Pick you up at 7:00.

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Who do they think

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they are?

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Not doing any more copies?

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- Nobody is.

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It's rather going out.

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I don't believe it.

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Who on Earth am I going to

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get to do my...?

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Oh, taxi!

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- Madge.

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I couldn't!

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It wouldn't be right.

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- What you do in your own time

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is your own affair, isn't it?

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I'm sure you could do with

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a little extra pocket money.

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- Yes.

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Tonight.

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- Yes, I could.

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These are awful!

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You never made me look

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like this before.

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- May I see?

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Oh, I'm so sorry.

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I'm afraid I've sent them

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to you without --

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Without what, young man?

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They should've been

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retouched.

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You mean to say that all

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my previous photographs...?

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Oh, it's not true.

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You're losing your touch.

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Everybody knows that.

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I do not look like that!

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- Well, I'm afraid --

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Surely, you were aware --

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Do excuse me for a moment.

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Beatrice.

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I will not.

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[Drops book]

241
00:08:59,870 --> 00:09:02,800
And I shall be taking

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my custom elsewhere.

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[Slam]

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00:09:08,640 --> 00:09:10,540
Oh!

245
00:09:10,610 --> 00:09:12,910
- Oh, you should've been

246
00:09:10,610 --> 00:09:12,910
a bit more tactful, Jack.

247
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Blast the woman.

248
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- She is your bread

249
00:09:14,480 --> 00:09:15,950
and butter.

250
00:09:16,020 --> 00:09:17,820
You're getting so cavalier,

251
00:09:16,020 --> 00:09:17,820
the way you treat people,

252
00:09:17,890 --> 00:09:19,860
including me.

253
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"Supper tonight."

254
00:09:19,920 --> 00:09:21,820
No "Please, thank you,

255
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Is it convenient?".

256
00:09:21,890 --> 00:09:23,380
- I have other things

257
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on my mind.

258
00:09:23,460 --> 00:09:25,650
Yes, and so have I.

259
00:09:25,730 --> 00:09:28,720
Jack, I love to be with you.

260
00:09:25,730 --> 00:09:28,720
You know I do,

261
00:09:28,800 --> 00:09:30,730
but Evie and I are

262
00:09:28,800 --> 00:09:30,730
very busy, at the moment.

263
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- I wish you'd never thought

264
00:09:30,800 --> 00:09:32,860
of that blasted collection.

265
00:09:32,930 --> 00:09:37,200
Jack, you, of all people,

266
00:09:32,930 --> 00:09:37,200
please be fair to me.

267
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I have to concentrate

268
00:09:37,270 --> 00:09:39,260
on the collection

269
00:09:39,340 --> 00:09:41,900
for the time being.

270
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You must see that.

271
00:09:41,980 --> 00:09:44,380
You should be concentrating

272
00:09:41,980 --> 00:09:44,380
on your work, too.

273
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This work, right here,

274
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not vague plans and dreams.

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- If I were doing

276
00:09:46,920 --> 00:09:48,580
what I'd wanted to --

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00:09:48,650 --> 00:09:50,480
Jack, that's not good enough.

278
00:09:48,650 --> 00:09:50,480
Why don't you

279
00:09:50,550 --> 00:09:52,780
retouch those pictures and

280
00:09:50,550 --> 00:09:52,780
send them to the poor woman?

281
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Forget the old dowager.

282
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What about that supper?

283
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I have to work

284
00:09:55,260 --> 00:09:57,230
through tonight.

285
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I can't load it all

286
00:09:57,290 --> 00:09:58,730
on Evie.

287
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So I have to wait

288
00:09:58,790 --> 00:10:01,850
'til next Sunday?

289
00:10:01,930 --> 00:10:04,960
Yes. Please.

290
00:10:11,170 --> 00:10:13,370
[Music plays]

291
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- Mm, thank you.

292
00:10:13,440 --> 00:10:15,840
[Knock-knock]

293
00:10:13,440 --> 00:10:15,840
- Yes?

294
00:10:18,110 --> 00:10:20,510
Miss Howell!

295
00:10:20,580 --> 00:10:23,880
I'm not so sure this is such

296
00:10:20,580 --> 00:10:23,880
a good idea, after all.

297
00:10:23,950 --> 00:10:26,180
You asked me to come here.

298
00:10:26,250 --> 00:10:29,160
I did, didn't I?

299
00:10:26,250 --> 00:10:29,160
On the table.

300
00:10:29,220 --> 00:10:34,820
On the table, girl.

301
00:10:34,900 --> 00:10:37,530
I simply cannot

302
00:10:34,900 --> 00:10:37,530
make up my mind.

303
00:10:37,600 --> 00:10:39,730
A copy of this one,

304
00:10:37,600 --> 00:10:39,730
or that, or that.

305
00:10:39,800 --> 00:10:42,570
Anyway,

306
00:10:39,800 --> 00:10:42,570
could you manage it?

307
00:10:42,640 --> 00:10:44,000
I think so.

308
00:10:44,070 --> 00:10:45,510
I just don't know.

309
00:10:45,570 --> 00:10:48,240
Those Eliott girls

310
00:10:45,570 --> 00:10:48,240
would've got it right, but,

311
00:10:48,310 --> 00:10:50,440
I don't know you.

312
00:10:50,510 --> 00:10:52,210
I'd say

313
00:10:52,280 --> 00:10:54,080
this one was you.

314
00:10:54,150 --> 00:10:56,850
They're all me.

315
00:10:54,150 --> 00:10:56,850
Why that one, especially?

316
00:10:56,920 --> 00:10:59,980
Instinct.

317
00:10:56,920 --> 00:10:59,980
I look at them all

318
00:11:00,050 --> 00:11:03,820
and I look at you,

319
00:11:00,050 --> 00:11:03,820
and that one is just it.

320
00:11:03,890 --> 00:11:06,230
What would it cost?

321
00:11:08,230 --> 00:11:11,100
How about

322
00:11:08,230 --> 00:11:11,100
if I make you something

323
00:11:11,170 --> 00:11:12,660
and you don't like it,

324
00:11:11,170 --> 00:11:12,660
you don't pay?

325
00:11:12,730 --> 00:11:16,170
You want to do this

326
00:11:12,730 --> 00:11:16,170
quite badly, don't you?

327
00:11:16,240 --> 00:11:17,670
Are you also

328
00:11:16,240 --> 00:11:17,670
a little tired

329
00:11:17,740 --> 00:11:20,070
of the Eliott sisters?

330
00:11:20,140 --> 00:11:21,800
- I don't mean

331
00:11:20,140 --> 00:11:21,800
to imply that, Miss.

332
00:11:21,880 --> 00:11:23,710
Ambitious, I would think.

333
00:11:23,780 --> 00:11:25,210
Well, that's no sin.

334
00:11:25,280 --> 00:11:28,770
All right, do it.

335
00:11:28,850 --> 00:11:31,550
On those terms,

336
00:11:28,850 --> 00:11:31,550
what have I got to lose?

337
00:11:39,560 --> 00:11:41,290
Bea.

338
00:11:39,560 --> 00:11:41,290
- Shh!

339
00:11:45,830 --> 00:11:47,560
Tell me

340
00:11:45,830 --> 00:11:47,560
when I can talk.

341
00:11:52,240 --> 00:11:54,940
Now. Why, what did you

342
00:11:52,240 --> 00:11:54,940
want to say?

343
00:11:55,010 --> 00:11:59,410
I'm just glad that you

344
00:11:55,010 --> 00:11:59,410
and Jack -- well, you know.

345
00:11:59,480 --> 00:12:03,750
Evie, shouldn't you

346
00:11:59,480 --> 00:12:03,750
have someone?

347
00:12:03,820 --> 00:12:05,910
I mean, well, I know

348
00:12:03,820 --> 00:12:05,910
everything with Sebastian

349
00:12:05,990 --> 00:12:07,980
was a terrible shock

350
00:12:05,990 --> 00:12:07,980
to you, but,

351
00:12:08,060 --> 00:12:10,150
well, you should go out

352
00:12:08,060 --> 00:12:10,150
and enjoy yourself again.

353
00:12:10,230 --> 00:12:12,890
After the collection.

354
00:12:12,960 --> 00:12:15,020
Besides, you can talk.

355
00:12:12,960 --> 00:12:15,020
Jack is at you and at you

356
00:12:15,100 --> 00:12:17,190
to go out and you're

357
00:12:15,100 --> 00:12:17,190
forever putting him off.

358
00:12:17,270 --> 00:12:20,030
That is a sure way

359
00:12:17,270 --> 00:12:20,030
to lose a man.

360
00:12:20,100 --> 00:12:23,160
Is it? How do you know

361
00:12:20,100 --> 00:12:23,160
so much about men?

362
00:12:23,240 --> 00:12:25,730
One learns.

363
00:12:25,810 --> 00:12:27,570
After Hugo and Sebastian,

364
00:12:27,640 --> 00:12:29,700
give me someone

365
00:12:27,640 --> 00:12:29,700
with sense and experience.

366
00:12:29,780 --> 00:12:32,680
Shouldn't you get interested

367
00:12:29,780 --> 00:12:32,680
in someone your own age, Evie?

368
00:12:32,750 --> 00:12:35,310
Shouldn't you relax a bit more

369
00:12:32,750 --> 00:12:35,310
and enjoy your romance

370
00:12:35,380 --> 00:12:37,750
with Jack?

371
00:12:35,380 --> 00:12:37,750
- Is it a romance?

372
00:12:37,820 --> 00:12:40,720
It is for him.

373
00:12:40,790 --> 00:12:42,310
He goes all soppy the minute

374
00:12:40,790 --> 00:12:42,310
you walk in the door.

375
00:12:42,390 --> 00:12:43,950
You're not fair

376
00:12:42,390 --> 00:12:43,950
to him, Bea.

377
00:12:44,030 --> 00:12:45,720
Well, because he's always,

378
00:12:44,030 --> 00:12:45,720
as you say, at me,

379
00:12:45,790 --> 00:12:47,280
to do this and to do that.

380
00:12:47,360 --> 00:12:49,330
I really can't stand

381
00:12:47,360 --> 00:12:49,330
to be badgered.

382
00:12:49,400 --> 00:12:51,130
Well, if you end up unmarried

383
00:12:49,400 --> 00:12:51,130
and on your own,

384
00:12:51,200 --> 00:12:52,630
don't come crying to me.

385
00:12:52,700 --> 00:12:54,900
If it's a choice between that

386
00:12:52,700 --> 00:12:54,900
and being a man's footstool --

387
00:12:54,970 --> 00:12:57,840
Jack would never tr--

388
00:12:57,910 --> 00:13:00,530
Beatrice, you are becoming

389
00:12:57,910 --> 00:13:00,530
quite impossible.

390
00:13:00,610 --> 00:13:03,640
"In the vicinity", indeed.

391
00:13:03,710 --> 00:13:05,870
I think you're keeping

392
00:13:03,710 --> 00:13:05,870
an eye on me.

393
00:13:05,950 --> 00:13:09,880
- What on Earth

394
00:13:05,950 --> 00:13:09,880
makes you think that?

395
00:13:09,950 --> 00:13:11,720
Brandy?

396
00:13:09,950 --> 00:13:11,720
- Thank you.

397
00:13:16,960 --> 00:13:18,430
Is everything all right?

398
00:13:18,490 --> 00:13:23,260
I've had a letter

399
00:13:18,490 --> 00:13:23,260
from Arthur.

400
00:13:23,330 --> 00:13:26,360
He will keep on at me

401
00:13:23,330 --> 00:13:26,360
to join him in Boston.

402
00:13:26,430 --> 00:13:30,370
He's sure

403
00:13:26,430 --> 00:13:30,370
I would like America.

404
00:13:30,440 --> 00:13:32,870
Well, are you so sure

405
00:13:30,440 --> 00:13:32,870
that you wouldn't?

406
00:13:32,940 --> 00:13:37,210
Oh, such an upheaval, even

407
00:13:32,940 --> 00:13:37,210
getting there: trains, ships.

408
00:13:37,280 --> 00:13:40,370
It's America, Lydia,

409
00:13:37,280 --> 00:13:40,370
not the South Pole.

410
00:13:40,450 --> 00:13:42,880
This big, old house must be

411
00:13:40,450 --> 00:13:42,880
quite a handful, hmm?

412
00:13:42,950 --> 00:13:46,150
Sometimes I think I should

413
00:13:42,950 --> 00:13:46,150
sell up and move to the country.

414
00:13:46,220 --> 00:13:49,320
- You are a metropolitan

415
00:13:46,220 --> 00:13:49,320
creature, Lydia.

416
00:13:49,390 --> 00:13:51,150
You'd die of boredom

417
00:13:49,390 --> 00:13:51,150
in the country.

418
00:13:51,230 --> 00:13:55,600
It is quite easy

419
00:13:51,230 --> 00:13:55,600
to die of boredom here.

420
00:13:55,660 --> 00:13:59,190
I could open bazaars,

421
00:13:55,660 --> 00:13:59,190
do good works.

422
00:13:59,270 --> 00:14:02,030
Surely, there are some good

423
00:13:59,270 --> 00:14:02,030
works one can do in the country.

424
00:14:02,100 --> 00:14:04,730
Villagers

425
00:14:02,100 --> 00:14:04,730
don't take kindly

426
00:14:04,810 --> 00:14:07,370
to Londoners coming down

427
00:14:04,810 --> 00:14:07,370
and bossing them about.

428
00:14:07,440 --> 00:14:10,880
What a vulgar expression.

429
00:14:07,440 --> 00:14:10,880
Really, Desmond.

430
00:14:10,950 --> 00:14:12,680
As though I would ever

431
00:14:12,750 --> 00:14:14,480
"boss" anybody.

432
00:14:16,680 --> 00:14:20,550
I simply wish to discover --

433
00:14:20,620 --> 00:14:23,920
- What to do with the rest

434
00:14:20,620 --> 00:14:23,920
of your life.

435
00:14:23,990 --> 00:14:25,430
I know.

436
00:14:25,490 --> 00:14:29,620
I must confess I feel

437
00:14:25,490 --> 00:14:29,620
lonely sometimes,

438
00:14:29,700 --> 00:14:31,670
since my dear wife died.

439
00:14:31,730 --> 00:14:34,640
Life is never

440
00:14:31,730 --> 00:14:34,640
quite the same, is it?

441
00:14:34,700 --> 00:14:38,940
And, in my case, all that

442
00:14:34,700 --> 00:14:38,940
terrible, terrible business!

443
00:14:39,010 --> 00:14:40,370
Now, now.

444
00:14:40,440 --> 00:14:42,880
It's over.

445
00:14:42,940 --> 00:14:44,780
It's long over.

446
00:14:44,850 --> 00:14:46,750
Now you must look

447
00:14:44,850 --> 00:14:46,750
to the future.

448
00:14:46,810 --> 00:14:51,180
- Oh, that is rather

449
00:14:46,810 --> 00:14:51,180
the point, Desmond --

450
00:14:51,250 --> 00:14:53,950
what future?

451
00:15:20,580 --> 00:15:21,840
[Gasp]

452
00:15:21,920 --> 00:15:24,040
You startled me!

453
00:15:24,120 --> 00:15:27,180
What on Earth are you doing

454
00:15:24,120 --> 00:15:27,180
here at this time of night?

455
00:15:27,260 --> 00:15:30,350
I've often been here

456
00:15:27,260 --> 00:15:30,350
much later than this.

457
00:15:30,430 --> 00:15:33,620
- You're not doing

458
00:15:30,430 --> 00:15:33,620
those begging letters.

459
00:15:33,690 --> 00:15:36,600
I'm writing the invitations

460
00:15:33,690 --> 00:15:36,600
to the charity ball,

461
00:15:36,660 --> 00:15:38,260
to those who usually

462
00:15:36,660 --> 00:15:38,260
support us.

463
00:15:38,330 --> 00:15:40,730
Well, there are other people

464
00:15:38,330 --> 00:15:40,730
on staff to do such things.

465
00:15:40,800 --> 00:15:43,000
I don't remember

466
00:15:40,800 --> 00:15:43,000
authorizing

467
00:15:43,070 --> 00:15:45,700
all this extra stationery

468
00:15:43,070 --> 00:15:45,700
and envelopes.

469
00:15:45,770 --> 00:15:47,170
[Sigh]

470
00:15:47,240 --> 00:15:49,300
I ordered them.

471
00:15:49,380 --> 00:15:50,870
Well, you shouldn't have.

472
00:15:50,950 --> 00:15:53,540
Paper of this quality

473
00:15:50,950 --> 00:15:53,540
is far too expensive.

474
00:15:53,610 --> 00:15:55,580
It doesn't cost

475
00:15:53,610 --> 00:15:55,580
the mission anything.

476
00:15:55,650 --> 00:15:57,080
I donate it every year.

477
00:15:57,150 --> 00:15:59,850
Like so many

478
00:15:57,150 --> 00:15:59,850
other things.

479
00:15:59,920 --> 00:16:02,020
This place will never function

480
00:15:59,920 --> 00:16:02,020
in a businesslike way,

481
00:16:02,090 --> 00:16:04,150
so long as you treat it

482
00:16:02,090 --> 00:16:04,150
as your private charity.

483
00:16:04,230 --> 00:16:07,020
Now, don't get upset.

484
00:16:07,090 --> 00:16:08,960
I simply want to do

485
00:16:07,090 --> 00:16:08,960
things properly.

486
00:16:09,030 --> 00:16:10,790
- Well, do them, then!

487
00:16:10,870 --> 00:16:12,300
Sit here 'til 4:00

488
00:16:10,870 --> 00:16:12,300
in the morning,

489
00:16:12,370 --> 00:16:13,800
like I have,

490
00:16:12,370 --> 00:16:13,800
again and again!

491
00:16:13,870 --> 00:16:15,600
Do them all, damn you!

492
00:16:21,240 --> 00:16:28,580
Lydia, this is a somewhat

493
00:16:21,240 --> 00:16:28,580
delicate matter, but,

494
00:16:28,650 --> 00:16:30,350
have you ever thought

495
00:16:28,650 --> 00:16:30,350
of remarrying?

496
00:16:30,420 --> 00:16:33,650
Goodness!

497
00:16:33,720 --> 00:16:35,160
Desmond!

498
00:16:35,220 --> 00:16:39,520
Of course, one can never really

499
00:16:35,220 --> 00:16:39,520
replace one's first love,

500
00:16:39,590 --> 00:16:41,120
but, how to put it?

501
00:16:41,200 --> 00:16:45,100
It could be such

502
00:16:41,200 --> 00:16:45,100
a comfort.

503
00:16:45,170 --> 00:16:46,730
I'm sure I'd find it so.

504
00:16:46,800 --> 00:16:49,290
- Why, you dear man.

505
00:16:49,370 --> 00:16:51,570
And, after all,

506
00:16:49,370 --> 00:16:51,570
there must be many men

507
00:16:51,640 --> 00:16:53,400
in the same boat

508
00:16:51,640 --> 00:16:53,400
as yourself,

509
00:16:53,470 --> 00:16:57,040
who'd be only

510
00:16:53,470 --> 00:16:57,040
too happy to do --

511
00:16:57,110 --> 00:17:00,550
Lydia, I am not that man.

512
00:17:00,620 --> 00:17:05,110
Only a very special man could

513
00:17:00,620 --> 00:17:05,110
meet your exacting standards.

514
00:17:05,190 --> 00:17:07,520
I can only hope,

515
00:17:05,190 --> 00:17:07,520
in my humble way,

516
00:17:07,590 --> 00:17:10,110
that I can continue

517
00:17:07,590 --> 00:17:10,110
to be your friend.

518
00:17:10,190 --> 00:17:13,360
To friendship.

519
00:17:13,430 --> 00:17:16,060
Friendship?

520
00:17:16,130 --> 00:17:18,760
Yes.

521
00:17:18,830 --> 00:17:21,960
You know, there's another of

522
00:17:18,830 --> 00:17:21,960
Whistler's Nocturnes somewhere,

523
00:17:22,040 --> 00:17:24,200
a wonderful image

524
00:17:22,040 --> 00:17:24,200
of a rocket exploding

525
00:17:24,270 --> 00:17:26,800
and all the stars floating

526
00:17:24,270 --> 00:17:26,800
down the sky.

527
00:17:26,870 --> 00:17:29,740
- I'm not quite sure

528
00:17:26,870 --> 00:17:29,740
how we'd do that, though.

529
00:17:29,810 --> 00:17:31,970
But, Evie, that's

530
00:17:29,810 --> 00:17:31,970
our splash of controversy.

531
00:17:32,050 --> 00:17:36,040
Shot silk.

532
00:17:32,050 --> 00:17:36,040
Not blue, black.

533
00:17:36,120 --> 00:17:38,780
Black velvet.

534
00:17:36,120 --> 00:17:38,780
Black as night.

535
00:17:38,850 --> 00:17:42,020
With an appliqué,

536
00:17:38,850 --> 00:17:42,020
a scattering of stars,

537
00:17:42,090 --> 00:17:46,220
gold and silver, red and orange,

538
00:17:42,090 --> 00:17:46,220
and even purple stars.

539
00:17:46,290 --> 00:17:49,590
Too much?

540
00:17:46,290 --> 00:17:49,590
- Mm, just a bit.

541
00:17:49,660 --> 00:17:52,600
And not black, no.

542
00:17:52,670 --> 00:17:54,190
No, our color is blue.

543
00:17:56,070 --> 00:17:58,060
[Chuckle]

544
00:19:12,250 --> 00:19:17,740
Not on the gown itself, but

545
00:19:12,250 --> 00:19:17,740
on a long, long veil, Evie.

546
00:19:17,820 --> 00:19:19,750
All the

547
00:19:17,820 --> 00:19:19,750
multicolored stars.

548
00:19:19,820 --> 00:19:25,730
- Mm, emboldened, this,

549
00:19:19,820 --> 00:19:25,730
very, very bold, against --

550
00:19:25,790 --> 00:19:28,160
well, against

551
00:19:25,790 --> 00:19:28,160
a deep-blue skirt.

552
00:19:28,230 --> 00:19:33,190
- Fireworks would stand out

553
00:19:28,230 --> 00:19:33,190
much more boldly against black.

554
00:20:01,000 --> 00:20:02,330
Morning.

555
00:20:01,000 --> 00:20:02,330
- Morning.

556
00:20:02,400 --> 00:20:04,060
What are you up to?

557
00:20:04,130 --> 00:20:06,070
Just getting the girls'

558
00:20:04,130 --> 00:20:06,070
work ready.

559
00:20:09,470 --> 00:20:11,960
Your hair's been looking

560
00:20:09,470 --> 00:20:11,960
very nice lately, Tilly.

561
00:20:12,040 --> 00:20:13,470
Who does it for you?

562
00:20:13,540 --> 00:20:15,810
I've got this very nice

563
00:20:13,540 --> 00:20:15,810
little hairdresser's

564
00:20:15,880 --> 00:20:17,710
called Tilly Watkins.

565
00:20:17,780 --> 00:20:19,250
[Chuckle]

566
00:20:22,320 --> 00:20:26,750
Molyneux, Patou,

567
00:20:22,320 --> 00:20:26,750
Fortuny, Hermane.

568
00:20:26,820 --> 00:20:29,290
Oh! To be as famous

569
00:20:26,820 --> 00:20:29,290
as that.

570
00:20:29,360 --> 00:20:31,380
Yolande Hermane

571
00:20:29,360 --> 00:20:31,380
has worked hard for years

572
00:20:31,460 --> 00:20:33,050
to get to that position.

573
00:20:33,130 --> 00:20:34,820
She deserves

574
00:20:33,130 --> 00:20:34,820
any fame she has.

575
00:20:34,900 --> 00:20:39,770
Well, she is clever, but I think

576
00:20:34,900 --> 00:20:39,770
our ideas are just as good.

577
00:20:39,830 --> 00:20:43,200
I suppose there must've been

578
00:20:39,830 --> 00:20:43,200
a moment when someone started

579
00:20:43,270 --> 00:20:46,000
to write about her,

580
00:20:43,270 --> 00:20:46,000
that made her fashionable.

581
00:20:46,070 --> 00:20:48,540
If only somebody

582
00:20:46,070 --> 00:20:48,540
could maybe --

583
00:20:48,610 --> 00:20:49,870
- No, Evie.

584
00:20:49,940 --> 00:20:52,410
Put that right out of your mind.

585
00:20:49,940 --> 00:20:52,410
We're not society.

586
00:20:52,480 --> 00:20:54,950
We're two ordinary,

587
00:20:52,480 --> 00:20:54,950
hardworking girls.

588
00:20:55,020 --> 00:20:56,450
Well, it's not all grind.

589
00:20:56,520 --> 00:21:00,510
Even though I do say so myself,

590
00:20:56,520 --> 00:21:00,510
this is inspired.

591
00:21:00,590 --> 00:21:06,550
Oh! In this first collection,

592
00:21:00,590 --> 00:21:06,550
to make one big, bold impact.

593
00:21:06,630 --> 00:21:08,990
What that would do

594
00:21:06,630 --> 00:21:08,990
for us, Evie.

595
00:21:09,060 --> 00:21:13,830
On the other hand, if we were

596
00:21:09,060 --> 00:21:13,830
to make an unholy mess of it...

597
00:21:13,900 --> 00:21:17,570
Right, 'night all.

598
00:21:13,900 --> 00:21:17,570
- 'Night, Betty.

599
00:21:17,640 --> 00:21:19,200
'Night, Madge.

600
00:21:17,640 --> 00:21:19,200
- 'Night, Agnes.

601
00:21:21,610 --> 00:21:24,440
Oh, bye. Bye.

602
00:21:26,510 --> 00:21:28,510
Don't work too hard, eh?

603
00:21:26,510 --> 00:21:28,510
You've had a long day.

604
00:21:28,580 --> 00:21:31,810
- Oh, nearly finished.

605
00:21:31,890 --> 00:21:33,350
'Night, Tilly.

606
00:21:33,420 --> 00:21:34,910
- Goodnight.

607
00:21:55,280 --> 00:21:56,900
Got ya!

608
00:21:56,980 --> 00:21:58,500
I knew you were

609
00:21:56,980 --> 00:21:58,500
doing something.

610
00:21:58,580 --> 00:22:00,140
You got another job,

611
00:21:58,580 --> 00:22:00,140
haven't ya?

612
00:22:00,210 --> 00:22:02,580
And you're using our time

613
00:22:00,210 --> 00:22:02,580
and our materials to do it.

614
00:22:02,650 --> 00:22:04,080
- What I do in my own

615
00:22:02,650 --> 00:22:04,080
time, Tilly --

616
00:22:04,150 --> 00:22:05,880
- No, that's bits and pieces

617
00:22:04,150 --> 00:22:05,880
done by our girls,

618
00:22:05,950 --> 00:22:07,620
slipping them in, not even

619
00:22:05,950 --> 00:22:07,620
knowing they were doing it.

620
00:22:07,690 --> 00:22:09,160
Well, that's cheating

621
00:22:09,220 --> 00:22:11,350
and you're cheating Miss Bea

622
00:22:09,220 --> 00:22:11,350
and Miss Evie, you are.

623
00:22:11,430 --> 00:22:14,760
- Oh, I work hard here.

624
00:22:11,430 --> 00:22:14,760
I don't owe them anything!

625
00:22:14,830 --> 00:22:16,260
I used to cover up for you,

626
00:22:14,830 --> 00:22:16,260
all those times

627
00:22:16,330 --> 00:22:17,760
when you were

628
00:22:16,330 --> 00:22:17,760
getting things wrong.

629
00:22:17,830 --> 00:22:21,670
That was my bad eyes.

630
00:22:17,830 --> 00:22:21,670
I wasn't deceiving anyone.

631
00:22:21,740 --> 00:22:23,470
They've done a lot

632
00:22:21,740 --> 00:22:23,470
for us, they have.

633
00:22:23,540 --> 00:22:25,840
And we do a lot for them!

634
00:22:23,540 --> 00:22:25,840
We're the workhouse donkeys.

635
00:22:25,910 --> 00:22:27,900
We carry the House of Eliott

636
00:22:25,910 --> 00:22:27,900
on our shoulders!

637
00:22:27,980 --> 00:22:30,440
And I am very glad

638
00:22:27,980 --> 00:22:30,440
to do it.

639
00:22:30,510 --> 00:22:32,240
All I've stolen is a bit

640
00:22:30,510 --> 00:22:32,240
of the company's time.

641
00:22:32,310 --> 00:22:33,750
All the material

642
00:22:32,310 --> 00:22:33,750
and accessories,

643
00:22:33,810 --> 00:22:35,250
I bought with me own money.

644
00:22:35,320 --> 00:22:38,650
Well, I'm blowed

645
00:22:35,320 --> 00:22:38,650
if I understand you.

646
00:22:38,720 --> 00:22:42,250
It were a chance,

647
00:22:38,720 --> 00:22:42,250
came out of nowhere.

648
00:22:42,320 --> 00:22:47,490
They're very nice, but, I'd like

649
00:22:42,320 --> 00:22:47,490
to be me own boss one day.

650
00:22:47,560 --> 00:22:49,620
Tilly, please

651
00:22:47,560 --> 00:22:49,620
don't tell on me.

652
00:23:02,180 --> 00:23:03,800
It's beautiful.

653
00:23:03,880 --> 00:23:07,040
- It's a wonderful location

654
00:23:03,880 --> 00:23:07,040
for a love scene.

655
00:23:07,110 --> 00:23:10,480
A little open, I think.

656
00:23:07,110 --> 00:23:10,480
- [Laughter]

657
00:23:16,560 --> 00:23:19,580
Evie would love

658
00:23:16,560 --> 00:23:19,580
this place.

659
00:23:19,660 --> 00:23:22,460
She could've come with us.

660
00:23:22,530 --> 00:23:23,900
She always used to do.

661
00:23:23,960 --> 00:23:30,100
- I want you, only you,

662
00:23:23,960 --> 00:23:30,100
on your own, alone with me.

663
00:23:30,170 --> 00:23:33,570
All right,

664
00:23:30,170 --> 00:23:33,570
you've got me.

665
00:23:33,640 --> 00:23:36,200
It took me so long to realize

666
00:23:33,640 --> 00:23:36,200
what was there in front of me,

667
00:23:36,280 --> 00:23:38,300
I'm scared to waste

668
00:23:36,280 --> 00:23:38,300
another minute, in case --

669
00:23:38,380 --> 00:23:39,850
In case what?

670
00:23:39,910 --> 00:23:41,350
- In case I lose you.

671
00:23:41,420 --> 00:23:43,040
Which is stupid.

672
00:23:43,120 --> 00:23:45,050
How can I lose what

673
00:23:43,120 --> 00:23:45,050
I haven't yet really won?

674
00:23:45,120 --> 00:23:46,710
Haven't you?

675
00:23:46,790 --> 00:23:49,780
I've heard of men

676
00:23:46,790 --> 00:23:49,780
being jealous

677
00:23:49,860 --> 00:23:51,760
of other men, but...

678
00:23:49,860 --> 00:23:51,760
- Playing second fiddle

679
00:23:51,830 --> 00:23:53,820
to a fashion collection?

680
00:23:51,830 --> 00:23:53,820
It must be terrible.

681
00:23:53,890 --> 00:23:55,990
Don't mock me, miss.

682
00:23:56,060 --> 00:23:57,400
[Laughs]

683
00:23:57,460 --> 00:23:59,730
- I know how important this

684
00:23:57,460 --> 00:23:59,730
collection is to you and Evie,

685
00:23:59,800 --> 00:24:01,230
but I have this fear

686
00:23:59,800 --> 00:24:01,230
of being --

687
00:24:01,300 --> 00:24:03,600
"Fear"?

688
00:24:01,300 --> 00:24:03,600
What do you mean?

689
00:24:03,670 --> 00:24:07,800
You're addicted to work,

690
00:24:03,670 --> 00:24:07,800
to the House of Eliott.

691
00:24:07,880 --> 00:24:09,310
At the moment,

692
00:24:07,880 --> 00:24:09,310
it's the collection

693
00:24:09,380 --> 00:24:12,140
and you say that everything will

694
00:24:09,380 --> 00:24:12,140
be all right after that, but,

695
00:24:12,210 --> 00:24:14,700
I think there'll be

696
00:24:12,210 --> 00:24:14,700
some new notion,

697
00:24:14,780 --> 00:24:18,690
some grand new program, and,

698
00:24:18,750 --> 00:24:22,380
it's all work, Bea;

699
00:24:18,750 --> 00:24:22,380
there's no life, and,

700
00:24:22,460 --> 00:24:25,290
without a life, there's nothing

701
00:24:22,460 --> 00:24:25,290
to feed back into the work.

702
00:24:33,500 --> 00:24:37,270
I just have to hope that, one

703
00:24:33,500 --> 00:24:37,270
day, work won't suffice anymore,

704
00:24:37,340 --> 00:24:40,000
and then you will find

705
00:24:37,340 --> 00:24:40,000
someone who always thought

706
00:24:40,070 --> 00:24:44,140
he was an impatient man,

707
00:24:40,070 --> 00:24:44,140
patiently waiting.

708
00:24:44,210 --> 00:24:46,150
For you.

709
00:24:46,380 --> 00:24:49,210
[Band plays upbeat music]

710
00:25:16,340 --> 00:25:17,680
Evening.

711
00:25:19,880 --> 00:25:23,080
Good evening.

712
00:25:19,880 --> 00:25:23,080
Well, you look very grand.

713
00:25:23,150 --> 00:25:24,580
I'm no good at this

714
00:25:23,150 --> 00:25:24,580
sort of thing, but,

715
00:25:24,650 --> 00:25:26,780
this is Robert Adams.

716
00:25:24,650 --> 00:25:26,780
- Hello.

717
00:25:26,850 --> 00:25:28,760
The Rev Adams.

718
00:25:26,850 --> 00:25:28,760
He does so much

719
00:25:28,820 --> 00:25:30,480
for the mission, these days.

720
00:25:28,820 --> 00:25:30,480
- Pleased to meet you.

721
00:25:30,560 --> 00:25:33,320
And this is Mrs. Cormack,

722
00:25:30,560 --> 00:25:33,320
our new administrator.

723
00:25:33,390 --> 00:25:35,860
Evangeline Eliott;

724
00:25:33,390 --> 00:25:35,860
Beatrice Eliott;

725
00:25:35,930 --> 00:25:37,760
and this is my brother, Jack.

726
00:25:35,930 --> 00:25:37,760
- How do you do?

727
00:25:37,830 --> 00:25:39,320
Miss Maddox's brother?

728
00:25:37,830 --> 00:25:39,320
Oh!

729
00:25:39,400 --> 00:25:41,960
I hadn't expected

730
00:25:39,400 --> 00:25:41,960
such a dashing --

731
00:25:42,040 --> 00:25:44,200
- It seems ages

732
00:25:42,040 --> 00:25:44,200
since I danced.

733
00:25:44,270 --> 00:25:46,870
Let's get to it, then.

734
00:25:48,610 --> 00:25:49,940
Oh, Evie.

735
00:25:50,010 --> 00:25:53,110
- Oh, Robert,

736
00:25:50,010 --> 00:25:53,110
dance with Evangeline.

737
00:25:53,180 --> 00:25:55,450
No, no, you're

738
00:25:53,180 --> 00:25:55,450
on official duty.

739
00:25:55,520 --> 00:25:56,950
I just want a table.

740
00:25:57,020 --> 00:25:59,420
- Let me escort you, at least.

741
00:25:57,020 --> 00:25:59,420
Be right back.

742
00:25:59,490 --> 00:26:00,820
Thank you.

743
00:26:00,890 --> 00:26:02,750
- Good evening.

744
00:26:00,890 --> 00:26:02,750
How lovely to see you.

745
00:26:02,820 --> 00:26:05,490
Good evening.

746
00:26:02,820 --> 00:26:05,490
- What an unusual gown.

747
00:26:05,560 --> 00:26:06,890
Good evening.

748
00:26:13,430 --> 00:26:15,900
Oh, Jack, you will dance

749
00:26:13,430 --> 00:26:15,900
with Evie after this?

750
00:26:15,970 --> 00:26:19,100
- She's old enough

751
00:26:15,970 --> 00:26:19,100
to look after herself

752
00:26:19,170 --> 00:26:20,700
and pretty enough

753
00:26:19,170 --> 00:26:20,700
to attract her own admirers.

754
00:26:20,770 --> 00:26:23,240
- Jack!

755
00:26:23,310 --> 00:26:25,710
All right, Evie

756
00:26:23,310 --> 00:26:25,710
will not go neglected.

757
00:26:52,110 --> 00:26:54,700
Everyone looks

758
00:26:52,110 --> 00:26:54,700
so boring, Jack.

759
00:26:54,780 --> 00:26:56,640
Must be at least one

760
00:26:54,780 --> 00:26:56,640
interesting man here.

761
00:26:56,710 --> 00:26:59,770
- There is.

762
00:26:56,710 --> 00:26:59,770
You're looking at him.

763
00:26:59,850 --> 00:27:02,110
Victor, what are you

764
00:26:59,850 --> 00:27:02,110
doing here?

765
00:27:02,180 --> 00:27:06,050
Of course,

766
00:27:02,180 --> 00:27:06,050
working hard, huh?

767
00:27:06,120 --> 00:27:07,680
- When Claude Valance

768
00:27:06,120 --> 00:27:07,680
appears,

769
00:27:07,750 --> 00:27:09,250
so do we.

770
00:27:09,320 --> 00:27:11,350
A charity ball, Jack.

771
00:27:11,430 --> 00:27:14,830
And a pretty dour charity,

772
00:27:11,430 --> 00:27:14,830
at that, not very chic.

773
00:27:14,900 --> 00:27:17,330
- No. No, my sister's

774
00:27:14,900 --> 00:27:17,330
the director.

775
00:27:17,400 --> 00:27:19,370
Ah! As they say,

776
00:27:19,430 --> 00:27:21,800
"Whenever

777
00:27:19,430 --> 00:27:21,800
I open my mouth,

778
00:27:21,870 --> 00:27:23,600
I put my foot in it."

779
00:27:23,670 --> 00:27:25,100
Introduce us, Jack.

780
00:27:25,170 --> 00:27:28,340
Evie, this is

781
00:27:25,170 --> 00:27:28,340
Mr. Victor Stride,

782
00:27:28,410 --> 00:27:29,930
whose word on fashion

783
00:27:28,410 --> 00:27:29,930
is law,

784
00:27:30,010 --> 00:27:31,910
who can make or break you.

785
00:27:31,980 --> 00:27:35,180
Victor, this is

786
00:27:31,980 --> 00:27:35,180
Miss Evangeline Eliott.

787
00:27:35,250 --> 00:27:37,310
- How do you do?

788
00:27:35,250 --> 00:27:37,310
- Nice to meet you.

789
00:27:37,380 --> 00:27:39,820
Are you one of those

790
00:27:37,380 --> 00:27:39,820
two Eliott sisters

791
00:27:39,890 --> 00:27:42,320
that people will keep

792
00:27:39,890 --> 00:27:42,320
telling me about?

793
00:27:42,390 --> 00:27:43,980
I suppose so.

794
00:27:44,060 --> 00:27:45,550
You mean you don't know?

795
00:27:45,630 --> 00:27:49,030
Victor, we're dancing.

796
00:27:45,630 --> 00:27:49,030
Talk later.

797
00:27:51,670 --> 00:27:53,500
What on Earth's

798
00:27:51,670 --> 00:27:53,500
the matter, Evie?

799
00:27:53,570 --> 00:27:57,060
- Jack, I have idolized

800
00:27:53,570 --> 00:27:57,060
that man for years!

801
00:27:57,140 --> 00:28:00,670
So you were struck

802
00:27:57,140 --> 00:28:00,670
quite dumb. Poor Evie.

803
00:28:00,740 --> 00:28:04,110
- I must tell Bea.

804
00:28:04,180 --> 00:28:05,610
How is it you know him?

805
00:28:05,680 --> 00:28:07,440
- We're drinking partners

806
00:28:05,680 --> 00:28:07,440
from years back.

807
00:28:09,850 --> 00:28:13,980
Bea, I have just met

808
00:28:09,850 --> 00:28:13,980
Victor Stride.

809
00:28:14,050 --> 00:28:16,150
- [Gasp] No.

810
00:28:16,220 --> 00:28:19,960
Over there.

811
00:28:20,030 --> 00:28:22,020
PENELOPE: I'm going to go

812
00:28:20,030 --> 00:28:22,020
and sit down.

813
00:28:25,930 --> 00:28:28,330
Don't you want

814
00:28:25,930 --> 00:28:28,330
to dance, Penelope?

815
00:28:28,400 --> 00:28:31,700
- No, thank you, Robert.

816
00:28:28,400 --> 00:28:31,700
I'm not a good dancer.

817
00:28:31,770 --> 00:28:34,400
Ask Mrs. Cormack.

818
00:28:31,770 --> 00:28:34,400
I'm sure she is.

819
00:28:34,470 --> 00:28:37,930
- Oh, no, we can't keep her

820
00:28:34,470 --> 00:28:37,930
here all alone,

821
00:28:38,010 --> 00:28:39,450
in case there are

822
00:28:38,010 --> 00:28:39,450
any latecomers.

823
00:28:39,510 --> 00:28:41,380
- I do like

824
00:28:41,450 --> 00:28:42,880
champagne.

825
00:28:42,950 --> 00:28:44,480
Probably because I can't

826
00:28:42,950 --> 00:28:44,480
normally afford it.

827
00:28:44,550 --> 00:28:47,990
I know it's eaten

828
00:28:44,550 --> 00:28:47,990
all the profits, but,

829
00:28:48,060 --> 00:28:50,620
just one glass each...

830
00:28:50,690 --> 00:28:52,130
Is he married, Jack?

831
00:28:52,190 --> 00:28:53,630
- Not as far as I know.

832
00:28:53,690 --> 00:28:55,030
I thought you said

833
00:28:53,690 --> 00:28:55,030
you'd known him for years.

834
00:28:55,100 --> 00:28:57,030
- People who booze together

835
00:28:55,100 --> 00:28:57,030
either talk

836
00:28:57,100 --> 00:28:59,760
about personal matters,

837
00:28:57,100 --> 00:28:59,760
or they don't, and he never has.

838
00:28:59,830 --> 00:29:03,500
- Well, he is amazing.

839
00:28:59,830 --> 00:29:03,500
He knows so much about women,

840
00:29:03,570 --> 00:29:05,870
about why they choose

841
00:29:03,570 --> 00:29:05,870
the clothes they wear.

842
00:29:05,940 --> 00:29:07,770
- I'm glad someone

843
00:29:05,940 --> 00:29:07,770
can explain it.

844
00:29:07,840 --> 00:29:10,830
When I read Victor Stride,

845
00:29:07,840 --> 00:29:10,830
I know, whatever Pen says,

846
00:29:10,910 --> 00:29:12,940
that we're not just

847
00:29:10,910 --> 00:29:12,940
in a business that dreams up

848
00:29:13,010 --> 00:29:15,280
silly things for women

849
00:29:13,010 --> 00:29:15,280
to show off in.

850
00:29:15,350 --> 00:29:17,050
He really gets

851
00:29:15,350 --> 00:29:17,050
to the heart of it.

852
00:29:17,120 --> 00:29:20,580
- Oh, Jack, you must introduce

853
00:29:17,120 --> 00:29:20,580
her to Victor Stride properly.

854
00:29:57,590 --> 00:29:59,790
You designed this.

855
00:29:59,860 --> 00:30:01,920
Yes.

856
00:30:02,000 --> 00:30:04,060
And your sister's.

857
00:30:18,080 --> 00:30:19,640
Monsieur Valance.

858
00:30:24,220 --> 00:30:26,880
At last, a use

859
00:30:24,220 --> 00:30:26,880
for my schoolboy French.

860
00:30:26,950 --> 00:30:29,050
Very distinguished,

861
00:30:26,950 --> 00:30:29,050
isn't he?

862
00:30:29,120 --> 00:30:33,220
- Robert, great statesmen

863
00:30:29,120 --> 00:30:33,220
may be distinguished,

864
00:30:33,290 --> 00:30:34,690
great clergymen may be

865
00:30:33,290 --> 00:30:34,690
distinguished,

866
00:30:34,760 --> 00:30:36,200
but a man who has spent

867
00:30:34,760 --> 00:30:36,200
his whole life

868
00:30:36,260 --> 00:30:37,700
designing silly clothes

869
00:30:36,260 --> 00:30:37,700
for silly women can hardly --

870
00:30:37,760 --> 00:30:40,670
- It's charity,

871
00:30:37,760 --> 00:30:40,670
Penelope, charity.

872
00:30:40,730 --> 00:30:44,300
I know you hate all this,

873
00:30:40,730 --> 00:30:44,300
but the cause is good.

874
00:30:44,370 --> 00:30:47,240
Now, see it through.

875
00:30:47,310 --> 00:30:50,440
Most people are...

876
00:30:47,310 --> 00:30:50,440
inarticulate.

877
00:30:50,510 --> 00:30:52,670
I mean, they can't express

878
00:30:50,510 --> 00:30:52,670
themselves painting pictures

879
00:30:52,750 --> 00:30:56,380
or writing books, but they

880
00:30:52,750 --> 00:30:56,380
can express themselves

881
00:30:56,450 --> 00:30:58,980
through the clothes

882
00:30:56,450 --> 00:30:58,980
they wear

883
00:30:59,050 --> 00:31:01,490
and to help them discover how

884
00:30:59,050 --> 00:31:01,490
should be the ultimate aim

885
00:31:01,560 --> 00:31:03,580
of every good designer.

886
00:31:01,560 --> 00:31:03,580
- Mm.

887
00:31:03,660 --> 00:31:07,060
I've always felt that

888
00:31:03,660 --> 00:31:07,060
it's not just matching

889
00:31:07,130 --> 00:31:11,060
the color of someone's

890
00:31:07,130 --> 00:31:11,060
complexion or someone's hair,

891
00:31:11,130 --> 00:31:14,830
but it's how to convey who they

892
00:31:11,130 --> 00:31:14,830
really are, or want to be.

893
00:31:14,900 --> 00:31:17,630
Yes. But there is a trap.

894
00:31:17,700 --> 00:31:20,140
99% of the human race feel

895
00:31:17,700 --> 00:31:20,140
they should be wearing

896
00:31:20,210 --> 00:31:22,800
exactly what everyone

897
00:31:20,210 --> 00:31:22,800
else is wearing.

898
00:31:22,880 --> 00:31:26,750
It's your job to help them find

899
00:31:22,880 --> 00:31:26,750
the courage to be themselves,

900
00:31:26,810 --> 00:31:32,650
which includes the courage

901
00:31:26,810 --> 00:31:32,650
to reject all our grand ideas

902
00:31:32,720 --> 00:31:34,590
and wear any old thing

903
00:31:32,720 --> 00:31:34,590
they please.

904
00:31:34,650 --> 00:31:39,720
You still haven't said

905
00:31:34,650 --> 00:31:39,720
anything about...

906
00:31:42,600 --> 00:31:46,060
Real...

907
00:31:46,130 --> 00:31:47,430
flair.

908
00:31:47,500 --> 00:31:51,370
But it's being

909
00:31:47,500 --> 00:31:51,370
constrained by something

910
00:31:51,440 --> 00:31:52,960
too conventional.

911
00:31:53,040 --> 00:31:57,140
You must trust

912
00:31:53,040 --> 00:31:57,140
your talent.

913
00:31:57,210 --> 00:32:00,510
Let the genie out

914
00:31:57,210 --> 00:32:00,510
of the lamp.

915
00:32:00,580 --> 00:32:02,810
When may I come

916
00:32:00,580 --> 00:32:02,810
to the House of Eliott

917
00:32:02,880 --> 00:32:06,120
to see more of your work?

918
00:32:17,030 --> 00:32:18,590
Very salutary experience,

919
00:32:18,670 --> 00:32:20,900
watching my young

920
00:32:18,670 --> 00:32:20,900
rivals in action.

921
00:32:20,970 --> 00:32:22,400
I have to say,

922
00:32:20,970 --> 00:32:22,400
I still don't understand

923
00:32:22,470 --> 00:32:23,900
why people don't come

924
00:32:22,470 --> 00:32:23,900
to me anymore.

925
00:32:23,970 --> 00:32:25,400
- You don't deserve

926
00:32:23,970 --> 00:32:25,400
their custom.

927
00:32:25,470 --> 00:32:28,970
Lately, you're offhand,

928
00:32:25,470 --> 00:32:28,970
you're careless,

929
00:32:29,040 --> 00:32:31,910
your mind's always

930
00:32:29,040 --> 00:32:31,910
on something else.

931
00:32:31,980 --> 00:32:33,950
I don't blame the public

932
00:32:31,980 --> 00:32:33,950
for going elsewhere.

933
00:32:34,010 --> 00:32:37,450
Not even my sister's ever spoken

934
00:32:34,010 --> 00:32:37,450
to me as bluntly as that.

935
00:32:37,520 --> 00:32:39,350
Well, you can hate me,

936
00:32:37,520 --> 00:32:39,350
if you like, Jack --

937
00:32:39,420 --> 00:32:41,890
Hate you? Don't be silly.

938
00:32:39,420 --> 00:32:41,890
I love you.

939
00:32:41,960 --> 00:32:45,190
And I love you,

940
00:32:41,960 --> 00:32:45,190
that's why --

941
00:32:45,260 --> 00:32:47,850
You actually said it.

942
00:32:47,930 --> 00:32:49,360
You can't take it

943
00:32:47,930 --> 00:32:49,360
back now.

944
00:32:49,430 --> 00:32:50,860
- Take it back?

945
00:32:50,930 --> 00:32:54,160
I don't say anything

946
00:32:50,930 --> 00:32:54,160
unless I mean it.

947
00:33:27,370 --> 00:33:29,270
When are we getting

948
00:33:27,370 --> 00:33:29,270
married, then?

949
00:33:29,340 --> 00:33:32,470
[Laughing] Jack,

950
00:33:29,340 --> 00:33:32,470
is that a proposal?

951
00:33:40,950 --> 00:33:43,350
Bea, will you marry me?

952
00:33:43,420 --> 00:33:47,290
Jack, please don't

953
00:33:43,420 --> 00:33:47,290
ask me that question.

954
00:33:47,350 --> 00:33:48,620
Not yet.

955
00:33:48,690 --> 00:33:53,250
I know:

956
00:33:48,690 --> 00:33:53,250
after the collection.

957
00:33:53,330 --> 00:33:55,590
- After the show.

958
00:33:55,660 --> 00:33:59,430
And I'll definitely

959
00:33:55,660 --> 00:33:59,430
think about it.

960
00:33:59,500 --> 00:34:03,270
[Fanfare plays]

961
00:34:05,670 --> 00:34:07,540
You do it.

962
00:34:07,610 --> 00:34:10,510
- Ladies and gentlemen,

963
00:34:10,580 --> 00:34:15,070
I am Martha Cormack, the new

964
00:34:10,580 --> 00:34:15,070
administrator of our mission.

965
00:34:15,150 --> 00:34:19,520
The prize for the raffle

966
00:34:15,150 --> 00:34:19,520
this evening has been donated

967
00:34:19,590 --> 00:34:22,650
by that aristocrat

968
00:34:19,590 --> 00:34:22,650
of fashion,

969
00:34:22,720 --> 00:34:26,160
the greatest couturier

970
00:34:22,720 --> 00:34:26,160
of them all,

971
00:34:26,230 --> 00:34:29,360
Monsieur Claude Valance,

972
00:34:26,230 --> 00:34:29,360
who joins us now

973
00:34:29,430 --> 00:34:31,420
to draw the winning ticket.

974
00:34:29,430 --> 00:34:31,420
Monsieur Valance.

975
00:34:40,740 --> 00:34:43,110
Number, uh...

976
00:34:43,180 --> 00:34:45,010
- Number 382.

977
00:34:45,080 --> 00:34:46,480
MAN: Ohh

978
00:34:46,550 --> 00:34:48,410
- Oh!

979
00:34:48,480 --> 00:34:49,950
Ohh!

980
00:34:55,620 --> 00:34:57,890
Now, ladies and gentlemen,

981
00:34:55,620 --> 00:34:57,890
a few words

982
00:34:57,960 --> 00:35:01,020
from the founder of the mission,

983
00:34:57,960 --> 00:35:01,020
Miss Penelope Maddox.

984
00:35:01,090 --> 00:35:04,190
Um --

985
00:35:08,300 --> 00:35:12,500
All I wish to say is --

986
00:35:08,300 --> 00:35:12,500
- Yes, monsieur.

987
00:35:17,780 --> 00:35:20,770
All I wish to say is that,

988
00:35:20,850 --> 00:35:24,440
whilst we are handing out

989
00:35:20,850 --> 00:35:24,440
prizes of extravagant clothes

990
00:35:24,520 --> 00:35:27,510
and you are all dancing

991
00:35:24,520 --> 00:35:27,510
and swilling champagne,

992
00:35:27,590 --> 00:35:30,420
there are people out there

993
00:35:27,590 --> 00:35:30,420
in the streets of London,

994
00:35:30,490 --> 00:35:34,990
not 300 yards from here,

995
00:35:30,490 --> 00:35:34,990
who have no beds,

996
00:35:35,060 --> 00:35:38,550
no shelter, and no food

997
00:35:35,060 --> 00:35:38,550
for the night.

998
00:35:38,630 --> 00:35:40,330
[Guests clamoring]

999
00:35:38,630 --> 00:35:40,330
- And that, if you had

1000
00:35:40,400 --> 00:35:42,060
any real charity in you,

1001
00:35:42,140 --> 00:35:45,660
you would have given your money

1002
00:35:42,140 --> 00:35:45,660
direct to the mission,

1003
00:35:45,740 --> 00:35:48,230
instead of making us

1004
00:35:45,740 --> 00:35:48,230
spend so much

1005
00:35:48,310 --> 00:35:50,610
on this ball

1006
00:35:48,310 --> 00:35:50,610
and this band

1007
00:35:50,680 --> 00:35:52,980
and all this stupid,

1008
00:35:50,680 --> 00:35:52,980
wasteful nonsense!

1009
00:35:53,050 --> 00:35:54,540
[Echoing]

1010
00:35:53,050 --> 00:35:54,540
Be quiet!

1011
00:36:04,560 --> 00:36:07,580
Well, Pen really went

1012
00:36:04,560 --> 00:36:07,580
too far, this time.

1013
00:36:07,660 --> 00:36:09,720
- Do you think we

1014
00:36:07,660 --> 00:36:09,720
should've seen her home?

1015
00:36:09,800 --> 00:36:15,170
No. No, I think Penelope's in

1016
00:36:09,800 --> 00:36:15,170
the capable hands of Rev Adams.

1017
00:36:15,240 --> 00:36:18,430
I don't care. I don't take

1018
00:36:15,240 --> 00:36:18,430
back a single word of it.

1019
00:36:18,510 --> 00:36:20,440
- But you insulted the people

1020
00:36:18,510 --> 00:36:20,440
who gave money to help us.

1021
00:36:20,510 --> 00:36:23,970
Why do you do such things?!

1022
00:36:24,040 --> 00:36:26,840
- I don't know!

1023
00:36:26,910 --> 00:36:30,350
Everything's changing.

1024
00:36:30,420 --> 00:36:32,110
- And you're getting

1025
00:36:30,420 --> 00:36:32,110
left behind?

1026
00:36:51,870 --> 00:36:54,930
[Whispering]

1027
00:36:51,870 --> 00:36:54,930
You created all this.

1028
00:36:55,010 --> 00:36:58,070
You've helped hundreds

1029
00:36:55,010 --> 00:36:58,070
of people.

1030
00:36:58,140 --> 00:36:59,640
There are others, now,

1031
00:36:58,140 --> 00:36:59,640
to continue your work,

1032
00:36:59,710 --> 00:37:01,940
but, without you,

1033
00:36:59,710 --> 00:37:01,940
it would never have begun.

1034
00:37:02,020 --> 00:37:04,580
Now, it doesn't belong

1035
00:37:02,020 --> 00:37:04,580
to me anymore.

1036
00:37:04,650 --> 00:37:06,090
- Oh, Penelope, I think

1037
00:37:06,150 --> 00:37:08,590
you have to come

1038
00:37:06,150 --> 00:37:08,590
to terms with that.

1039
00:37:08,660 --> 00:37:10,390
- I know.

1040
00:37:10,460 --> 00:37:12,090
I do know.

1041
00:37:12,160 --> 00:37:14,320
Thank you,

1042
00:37:14,390 --> 00:37:17,490
for putting me gently,

1043
00:37:14,390 --> 00:37:17,490
but firmly, in my place.

1044
00:37:17,560 --> 00:37:20,360
- Was I too brutal?

1045
00:37:20,430 --> 00:37:25,530
No. You're

1046
00:37:20,430 --> 00:37:25,530
very understanding.

1047
00:37:25,610 --> 00:37:31,010
I...I just don't seem to know

1048
00:37:25,610 --> 00:37:31,010
what to do with my life.

1049
00:37:31,080 --> 00:37:33,670
This isn't enough

1050
00:37:31,080 --> 00:37:33,670
for you anymore.

1051
00:37:33,750 --> 00:37:37,480
You must find something new.

1052
00:37:33,750 --> 00:37:37,480
I know I want to.

1053
00:37:37,550 --> 00:37:40,820
When I can get things settled,

1054
00:37:37,550 --> 00:37:40,820
I plan to go to Tanganyika,

1055
00:37:40,890 --> 00:37:42,790
spread the word.

1056
00:37:40,890 --> 00:37:42,790
- Africa?

1057
00:37:42,860 --> 00:37:47,560
Oh. Well, I say,

1058
00:37:42,860 --> 00:37:47,560
what tremendous news!

1059
00:37:49,800 --> 00:37:52,600
I might just go and see

1060
00:37:49,800 --> 00:37:52,600
that they put

1061
00:37:52,670 --> 00:37:54,130
an extra tea urn

1062
00:37:52,670 --> 00:37:54,130
in the van.

1063
00:37:54,200 --> 00:37:57,360
It's quite cold. There'll be

1064
00:37:54,200 --> 00:37:57,360
a big demand tonight.

1065
00:37:57,440 --> 00:37:59,600
I'll just go and change.

1066
00:38:01,910 --> 00:38:03,930
Thank you, ladies.

1067
00:38:01,910 --> 00:38:03,930
- Thank you.

1068
00:38:04,010 --> 00:38:05,540
Thank you, Bellingham.

1069
00:38:05,610 --> 00:38:07,600
There, that wasn't

1070
00:38:05,610 --> 00:38:07,600
too painful, was it?

1071
00:38:07,680 --> 00:38:11,520
No. Well --

1072
00:38:11,580 --> 00:38:13,820
- We have a photographic record.

1073
00:38:11,580 --> 00:38:13,820
Would you like to see it?

1074
00:38:13,890 --> 00:38:15,750
It's of our best --

1075
00:38:15,820 --> 00:38:17,310
Well, what we consider

1076
00:38:15,820 --> 00:38:17,310
to be our best --

1077
00:38:17,390 --> 00:38:20,420
Well, what we hope

1078
00:38:17,390 --> 00:38:20,420
to be our best work.

1079
00:38:20,490 --> 00:38:22,830
Photographs by

1080
00:38:20,490 --> 00:38:22,830
Jack Maddox, actually.

1081
00:38:24,560 --> 00:38:26,430
Ah, yes, Jack.

1082
00:38:26,500 --> 00:38:29,260
- Of course, there's no color,

1083
00:38:26,500 --> 00:38:29,260
but one can see the outline --

1084
00:38:29,340 --> 00:38:32,500
I do get the point.

1085
00:38:32,570 --> 00:38:35,410
BEATRICE: This was

1086
00:38:32,570 --> 00:38:35,410
for Lady Finehurst.

1087
00:38:35,480 --> 00:38:37,000
- Yes, I remember it.

1088
00:38:35,480 --> 00:38:37,000
She wore it

1089
00:38:37,080 --> 00:38:42,070
at, um...some viceregal affair.

1090
00:38:37,080 --> 00:38:42,070
So that was you two?

1091
00:38:42,150 --> 00:38:47,280
I had heard vaguely, at the

1092
00:38:42,150 --> 00:38:47,280
time, it was somebody new.

1093
00:38:47,350 --> 00:38:49,950
- Oh, and this is Mrs. White

1094
00:38:47,350 --> 00:38:49,950
at last year's ascot.

1095
00:38:50,020 --> 00:38:52,620
Quite...dashing.

1096
00:38:55,200 --> 00:39:00,160
And Dolly Haycock!

1097
00:38:55,200 --> 00:39:00,160
Interesting.

1098
00:39:00,230 --> 00:39:03,530
These are our sketches.

1099
00:39:03,600 --> 00:39:07,800
- Thank you.

1100
00:39:07,870 --> 00:39:10,940
Now we have the color.

1101
00:39:11,010 --> 00:39:13,240
Hmm.

1102
00:39:13,310 --> 00:39:18,050
How does one tell --

1103
00:39:18,120 --> 00:39:21,920
How does one tell which one

1104
00:39:18,120 --> 00:39:21,920
of you did which design?

1105
00:39:21,990 --> 00:39:24,720
Sometimes we can't tell,

1106
00:39:21,990 --> 00:39:24,720
ourselves.

1107
00:39:24,790 --> 00:39:27,780
When Evie has an idea,

1108
00:39:27,860 --> 00:39:29,630
then I'll sketch an outline

1109
00:39:27,860 --> 00:39:29,630
and she says

1110
00:39:29,700 --> 00:39:33,860
"No, more like this",

1111
00:39:29,700 --> 00:39:33,860
grabs a brush, adds her own.

1112
00:39:33,930 --> 00:39:35,370
We really must sound

1113
00:39:33,930 --> 00:39:35,370
hopelessly amateurish.

1114
00:39:35,440 --> 00:39:40,140
No, no no no no.

1115
00:39:35,440 --> 00:39:40,140
It's fascinating, but,

1116
00:39:40,210 --> 00:39:42,770
but perhaps it does

1117
00:39:40,210 --> 00:39:42,770
explain why, sometimes,

1118
00:39:42,840 --> 00:39:48,080
the genie doesn't quite

1119
00:39:42,840 --> 00:39:48,080
get out of the lamp.

1120
00:39:48,150 --> 00:39:49,950
Although,

1121
00:39:48,150 --> 00:39:49,950
I have to admit

1122
00:39:50,020 --> 00:39:52,320
more often than not,

1123
00:39:50,020 --> 00:39:52,320
he does.

1124
00:39:54,050 --> 00:39:56,490
What else?

1125
00:39:56,560 --> 00:39:58,020
Well, obviously,

1126
00:39:58,090 --> 00:40:00,960
what you're working on right

1127
00:39:58,090 --> 00:40:00,960
now is the most important.

1128
00:40:02,560 --> 00:40:05,090
We're mounting

1129
00:40:02,560 --> 00:40:05,090
our first collection.

1130
00:40:05,160 --> 00:40:06,430
Naturally, we're --

1131
00:40:06,500 --> 00:40:08,400
Ah!

1132
00:40:06,500 --> 00:40:08,400
And, naturally,

1133
00:40:08,470 --> 00:40:10,770
it's the greatest possible

1134
00:40:08,470 --> 00:40:10,770
secret and must be kept so.

1135
00:40:10,840 --> 00:40:12,670
Very frustrating for me,

1136
00:40:10,840 --> 00:40:12,670
but I do understand.

1137
00:40:12,740 --> 00:40:14,870
In Paris, they almost murder

1138
00:40:12,740 --> 00:40:14,870
for advanced news

1139
00:40:14,940 --> 00:40:16,930
of what Chanel

1140
00:40:14,940 --> 00:40:16,930
or Poiret are doing.

1141
00:40:17,010 --> 00:40:20,500
Really?

1142
00:40:17,010 --> 00:40:20,500
Your first collection!

1143
00:40:25,950 --> 00:40:27,220
Mwah!

1144
00:40:27,290 --> 00:40:28,720
- Ah, so I take it

1145
00:40:27,290 --> 00:40:28,720
that means he likes you.

1146
00:40:28,790 --> 00:40:30,220
Anything definite?

1147
00:40:30,290 --> 00:40:32,230
- One, maybe two,

1148
00:40:30,290 --> 00:40:32,230
articles in Soignée.

1149
00:40:32,290 --> 00:40:34,020
Can you believe it?!

1150
00:40:34,090 --> 00:40:37,220
I'm so sorry I disturbed you.

1151
00:40:34,090 --> 00:40:37,220
What are you doing?

1152
00:40:37,300 --> 00:40:39,770
- Well, each picture

1153
00:40:37,300 --> 00:40:39,770
represents a scene.

1154
00:40:39,830 --> 00:40:41,100
How clever!

1155
00:40:41,170 --> 00:40:42,970
- [Laughs]

1156
00:40:41,170 --> 00:40:42,970
I didn't invent it.

1157
00:40:43,040 --> 00:40:44,300
It's a good way of showing

1158
00:40:43,040 --> 00:40:44,300
potential investors

1159
00:40:44,370 --> 00:40:48,210
what the finished product will

1160
00:40:44,370 --> 00:40:48,210
look like on the silver screen.

1161
00:40:48,270 --> 00:40:51,110
If I could find any

1162
00:40:48,270 --> 00:40:51,110
investors, that is.

1163
00:40:51,180 --> 00:40:52,870
- But I thought film

1164
00:40:51,180 --> 00:40:52,870
was the thing.

1165
00:40:52,950 --> 00:40:55,710
[Scoff] Prising money

1166
00:40:52,950 --> 00:40:55,710
out of British businessmen:

1167
00:40:55,780 --> 00:40:59,840
"Films?

1168
00:40:55,780 --> 00:40:59,840
Bit frivolous, what?"

1169
00:40:59,920 --> 00:41:02,790
- Well, why don't you go

1170
00:40:59,920 --> 00:41:02,790
and see Desmond?

1171
00:41:02,860 --> 00:41:04,550
He likes you.

1172
00:41:04,620 --> 00:41:06,090
- Do you think I should?

1173
00:41:06,160 --> 00:41:08,150
Perhaps he'll be

1174
00:41:06,160 --> 00:41:08,150
my Victor Stride.

1175
00:41:08,230 --> 00:41:09,630
- [Laughs]

1176
00:41:09,700 --> 00:41:13,160
I'm very pleased.

1177
00:41:09,700 --> 00:41:13,160
I'm so, so proud of you.

1178
00:41:13,230 --> 00:41:16,130
The father dies; two sisters

1179
00:41:13,230 --> 00:41:16,130
are left alone in the world.

1180
00:41:16,200 --> 00:41:19,200
No money, no prospects,

1181
00:41:16,200 --> 00:41:19,200
but there is an aunt.

1182
00:41:19,270 --> 00:41:22,000
I wasn't alone.

1183
00:41:22,080 --> 00:41:23,510
My son, Arthur --

1184
00:41:23,580 --> 00:41:25,700
Ah, yes.

1185
00:41:25,780 --> 00:41:27,040
Arthur Eliott.

1186
00:41:27,110 --> 00:41:31,180
Hmm. He would've supplied the

1187
00:41:27,110 --> 00:41:31,180
necessary business knowledge.

1188
00:41:31,250 --> 00:41:34,080
- As they were

1189
00:41:31,250 --> 00:41:34,080
getting set up.

1190
00:41:34,150 --> 00:41:36,280
Those girls couldn't have done

1191
00:41:34,150 --> 00:41:36,280
a thing without Arthur.

1192
00:41:36,360 --> 00:41:38,850
No, go on. Business acumen

1193
00:41:36,360 --> 00:41:38,850
plus creative flair.

1194
00:41:38,930 --> 00:41:40,360
Please, go on.

1195
00:41:40,430 --> 00:41:44,660
Capital, Jack, capital.

1196
00:41:44,730 --> 00:41:46,220
But I must be honest.

1197
00:41:46,300 --> 00:41:50,170
My own board would be

1198
00:41:46,300 --> 00:41:50,170
unlikely to sanction

1199
00:41:50,240 --> 00:41:52,260
what they'd see

1200
00:41:50,240 --> 00:41:52,260
as a risky investment.

1201
00:41:52,340 --> 00:41:54,000
- Same old story.

1202
00:41:54,070 --> 00:41:58,240
[Chuckle] However, I do

1203
00:41:54,070 --> 00:41:58,240
have business associates

1204
00:41:58,310 --> 00:41:59,750
who might be a little

1205
00:41:58,310 --> 00:41:59,750
less highbrowed.

1206
00:41:59,810 --> 00:42:02,940
No promises.

1207
00:41:59,810 --> 00:42:02,940
Let me see what I can do.

1208
00:42:10,120 --> 00:42:12,150
Evie.

1209
00:42:12,230 --> 00:42:14,190
Evie. We have to make

1210
00:42:12,230 --> 00:42:14,190
a decision

1211
00:42:14,260 --> 00:42:15,960
about the final dress:

1212
00:42:14,260 --> 00:42:15,960
blue or black?

1213
00:42:16,030 --> 00:42:19,060
- Beatrice, I can't work and

1214
00:42:16,030 --> 00:42:19,060
think at the same time. Please.

1215
00:42:25,910 --> 00:42:29,900
Madge, what's this?

1216
00:42:33,750 --> 00:42:35,180
Would you come and see me

1217
00:42:33,750 --> 00:42:35,180
in my office,

1218
00:42:35,250 --> 00:42:37,380
when you've finished there?

1219
00:42:35,250 --> 00:42:37,380
Evie.

1220
00:42:40,450 --> 00:42:42,720
Miss Ratigan seemed

1221
00:42:40,450 --> 00:42:42,720
in a hurry.

1222
00:42:42,790 --> 00:42:45,050
Well, I was providing

1223
00:42:42,790 --> 00:42:45,050
all the materials

1224
00:42:45,120 --> 00:42:47,750
and working at home at night.

1225
00:42:45,120 --> 00:42:47,750
It didn't seem --

1226
00:42:47,830 --> 00:42:50,320
I didn't mean it to interfere

1227
00:42:47,830 --> 00:42:50,320
with our work here.

1228
00:42:50,400 --> 00:42:52,130
It was a sort of challenge.

1229
00:42:52,200 --> 00:42:53,460
- I see.

1230
00:42:53,530 --> 00:42:55,560
But it entailed more

1231
00:42:53,530 --> 00:42:55,560
than you realized.

1232
00:42:55,640 --> 00:42:58,870
I slipped in bits

1233
00:42:55,640 --> 00:42:58,870
for the girls to do.

1234
00:42:58,940 --> 00:43:00,370
But each one of them

1235
00:42:58,940 --> 00:43:00,370
did so little,

1236
00:43:00,440 --> 00:43:01,870
it didn't hold them up

1237
00:43:00,440 --> 00:43:01,870
that much.

1238
00:43:01,940 --> 00:43:04,210
That is for us to decide.

1239
00:43:04,280 --> 00:43:06,510
What's worse is

1240
00:43:04,280 --> 00:43:06,510
you raided our files.

1241
00:43:06,580 --> 00:43:08,100
You took blocks

1242
00:43:06,580 --> 00:43:08,100
from our plan chest!

1243
00:43:08,180 --> 00:43:09,620
I didn't steal them.

1244
00:43:09,680 --> 00:43:12,710
I returned them as soon

1245
00:43:09,680 --> 00:43:12,710
as I'd finished with them.

1246
00:43:12,790 --> 00:43:16,980
Madge, you have been

1247
00:43:12,790 --> 00:43:16,980
very foolish.

1248
00:43:17,060 --> 00:43:19,460
We value your work here.

1249
00:43:19,530 --> 00:43:20,960
The workroom is

1250
00:43:19,530 --> 00:43:20,960
so well-organized that,

1251
00:43:21,030 --> 00:43:22,460
despite our setbacks,

1252
00:43:22,530 --> 00:43:24,330
we're a little ahead of

1253
00:43:22,530 --> 00:43:24,330
schedule for the collection.

1254
00:43:24,400 --> 00:43:26,590
[Sigh]

1255
00:43:26,670 --> 00:43:28,830
Madge, you're to finish

1256
00:43:26,670 --> 00:43:28,830
Miss Ratigan's gown

1257
00:43:28,900 --> 00:43:31,870
without any further assistance

1258
00:43:28,900 --> 00:43:31,870
from the House of Eliott,

1259
00:43:31,940 --> 00:43:33,870
and then give us

1260
00:43:31,940 --> 00:43:33,870
your full attention.

1261
00:43:36,180 --> 00:43:37,440
I'm not...?

1262
00:43:37,510 --> 00:43:40,110
You may go now.

1263
00:43:37,510 --> 00:43:40,110
Never do it again.

1264
00:43:45,620 --> 00:43:47,380
Monsieur Duroque's.

1265
00:43:47,450 --> 00:43:48,890
It's almost the way

1266
00:43:48,960 --> 00:43:50,890
we stole Miss Spencer

1267
00:43:48,960 --> 00:43:50,890
from Monsieur Duroque's.

1268
00:43:50,960 --> 00:43:54,720
And look at us now.

1269
00:43:54,790 --> 00:43:57,420
I wonder where Madge

1270
00:43:54,790 --> 00:43:57,420
will end up.

1271
00:44:13,810 --> 00:44:15,480
I don't want it.

1272
00:44:15,550 --> 00:44:17,040
- You haven't even

1273
00:44:15,550 --> 00:44:17,040
tried it on!

1274
00:44:17,120 --> 00:44:19,480
I don't need to.

1275
00:44:17,120 --> 00:44:19,480
I can tell.

1276
00:44:21,550 --> 00:44:24,680
I've been up night after night

1277
00:44:21,550 --> 00:44:24,680
to get it finished.

1278
00:44:24,760 --> 00:44:27,160
I nearly lost my job

1279
00:44:24,760 --> 00:44:27,160
over this dress!

1280
00:44:27,230 --> 00:44:29,530
- Bad luck, old thing.

1281
00:44:29,600 --> 00:44:31,330
I don't owe you a penny.

1282
00:44:31,400 --> 00:44:33,530
You did it all

1283
00:44:31,400 --> 00:44:33,530
at your own risk.

1284
00:44:33,600 --> 00:44:36,030
[Singsong] Your suggestion,

1285
00:44:33,600 --> 00:44:36,030
by the way, not mine.

1286
00:44:44,480 --> 00:44:46,610
Why don't you like it?

1287
00:44:46,680 --> 00:44:52,310
My dear, you said yourself:

1288
00:44:46,680 --> 00:44:52,310
people only wear originals now.

1289
00:44:52,390 --> 00:44:54,480
That is a copy.

1290
00:45:15,440 --> 00:45:17,710
I thought you were

1291
00:45:15,440 --> 00:45:17,710
happy with it as it stood.

1292
00:45:17,780 --> 00:45:19,270
- It's a general-

1293
00:45:17,780 --> 00:45:19,270
interest story.

1294
00:45:19,350 --> 00:45:23,040
It goes beyond fashion.

1295
00:45:23,120 --> 00:45:24,550
- I didn't write this.

1296
00:45:24,620 --> 00:45:26,920
Now, Victor,

1297
00:45:24,620 --> 00:45:26,920
you wrote it all.

1298
00:45:26,990 --> 00:45:28,420
Except for that one

1299
00:45:26,990 --> 00:45:28,420
little para

1300
00:45:28,490 --> 00:45:31,010
that I want to slip in

1301
00:45:28,490 --> 00:45:31,010
at the top.

1302
00:45:31,090 --> 00:45:34,150
I am a fashion writer.

1303
00:45:34,230 --> 00:45:36,220
This is

1304
00:45:34,230 --> 00:45:36,220
scandalmongering!

1305
00:45:36,300 --> 00:45:38,130
I would not want

1306
00:45:36,300 --> 00:45:38,130
my name on it!

1307
00:45:38,200 --> 00:45:42,030
No.

1308
00:45:42,100 --> 00:45:45,560
No! The Eliotts are sincere,

1309
00:45:42,100 --> 00:45:45,560
hardworking young women.

1310
00:45:45,640 --> 00:45:47,070
You have no right

1311
00:45:45,640 --> 00:45:47,070
to do that to them.

1312
00:45:47,140 --> 00:45:50,340
It's a rough.

1313
00:45:47,140 --> 00:45:50,340
It can be modified, Victor.

1314
00:45:50,410 --> 00:45:53,350
Even a fashion writer

1315
00:45:50,410 --> 00:45:53,350
is a journalist.

1316
00:45:53,410 --> 00:45:55,350
And you must see that the

1317
00:45:53,410 --> 00:45:55,350
connection with Arthur Eliott

1318
00:45:55,410 --> 00:45:57,650
is simply too good to miss.

1319
00:45:59,720 --> 00:46:03,280
Now, let's see if we

1320
00:45:59,720 --> 00:46:03,280
can compromise, shall we?

1321
00:46:13,530 --> 00:46:17,630
Evie.

1322
00:46:17,700 --> 00:46:19,730
Evie!

1323
00:46:17,700 --> 00:46:19,730
- Yes.

1324
00:46:19,810 --> 00:46:23,770
I've just been thinking about

1325
00:46:19,810 --> 00:46:23,770
the final dress, the rocket.

1326
00:46:23,840 --> 00:46:25,640
- It's all right.

1327
00:46:23,840 --> 00:46:25,640
It's all right.

1328
00:46:25,710 --> 00:46:27,810
I've come round to your idea.

1329
00:46:25,710 --> 00:46:27,810
I think,

1330
00:46:27,880 --> 00:46:32,320
well, to be really dramatic,

1331
00:46:27,880 --> 00:46:32,320
it has to be on black.

1332
00:46:32,390 --> 00:46:34,550
- How funny. [Chuckle]

1333
00:46:34,620 --> 00:46:36,590
I've just been wondering

1334
00:46:34,620 --> 00:46:36,590
whether stars and spangles

1335
00:46:36,660 --> 00:46:39,150
on a black veil would ever

1336
00:46:36,660 --> 00:46:39,150
get the right effect.

1337
00:46:39,230 --> 00:46:43,290
It might look like

1338
00:46:39,230 --> 00:46:43,290
rather a tame gesture.

1339
00:46:43,360 --> 00:46:49,300
No, I think we go back

1340
00:46:43,360 --> 00:46:49,300
to the original idea: all blue.

1341
00:46:49,370 --> 00:46:52,100
- Good.

1342
00:46:49,370 --> 00:46:52,100
[Chuckle]

1343
00:46:52,170 --> 00:46:54,330
A backer?

1344
00:46:52,170 --> 00:46:54,330
You found a backer?

1345
00:46:54,410 --> 00:46:56,840
Yes, but not entirely

1346
00:46:54,410 --> 00:46:56,840
unconditioned,

1347
00:46:56,910 --> 00:46:59,440
and I have to say that I've

1348
00:46:56,910 --> 00:46:59,440
imposed the condition myself.

1349
00:46:59,510 --> 00:47:00,950
What do I have to do?

1350
00:47:01,010 --> 00:47:03,850
Surrender the freehold

1351
00:47:01,010 --> 00:47:03,850
of your studio

1352
00:47:03,920 --> 00:47:06,320
as security and collateral

1353
00:47:03,920 --> 00:47:06,320
against the loan.

1354
00:47:06,390 --> 00:47:07,820
Are you prepared

1355
00:47:06,390 --> 00:47:07,820
to do that?

1356
00:47:07,890 --> 00:47:10,020
Desmond, I would sign

1357
00:47:07,890 --> 00:47:10,020
my own mother over.

1358
00:47:10,090 --> 00:47:11,520
The studio?!

1359
00:47:10,090 --> 00:47:11,520
Absolutely.

1360
00:47:11,590 --> 00:47:13,150
[Chuckling]

1361
00:47:11,590 --> 00:47:13,150
Good man.

1362
00:47:13,230 --> 00:47:15,320
I think you'll find the amount

1363
00:47:13,230 --> 00:47:15,320
adequate to set up the company

1364
00:47:15,390 --> 00:47:17,060
and to fund

1365
00:47:15,390 --> 00:47:17,060
further development.

1366
00:47:17,130 --> 00:47:20,100
He must be very keen on cinema,

1367
00:47:17,130 --> 00:47:20,100
this chap. Who is it?

1368
00:47:20,170 --> 00:47:21,430
Benedict Elsom.

1369
00:47:21,500 --> 00:47:23,660
Elsom? Hmm, no.

1370
00:47:23,740 --> 00:47:25,970
Well, I don't know too much

1371
00:47:23,740 --> 00:47:25,970
about your world, Desmond, but,

1372
00:47:26,040 --> 00:47:28,670
any man who's prepared to back

1373
00:47:26,040 --> 00:47:28,670
me, that man, I have to meet.

1374
00:47:28,740 --> 00:47:31,210
Ah, well, that may be

1375
00:47:28,740 --> 00:47:31,210
a little bit difficult.

1376
00:47:31,280 --> 00:47:33,300
He's abroad on business

1377
00:47:31,280 --> 00:47:33,300
for a little while.

1378
00:47:33,380 --> 00:47:34,810
You'll meet him

1379
00:47:33,380 --> 00:47:34,810
when he gets back.

1380
00:47:34,880 --> 00:47:37,350
Desmond, I feel like a child

1381
00:47:34,880 --> 00:47:37,350
who's been given

1382
00:47:37,420 --> 00:47:39,410
the biggest train set

1383
00:47:37,420 --> 00:47:39,410
in the world.

1384
00:47:39,490 --> 00:47:41,180
Thank you. Thank you.

1385
00:47:41,250 --> 00:47:43,810
You haven't turned

1386
00:47:41,250 --> 00:47:43,810
this down at all.

1387
00:47:43,890 --> 00:47:45,690
If anything, it's worse.

1388
00:47:45,760 --> 00:47:47,660
Now, Victor --

1389
00:47:45,760 --> 00:47:47,660
- I thought you were running

1390
00:47:47,730 --> 00:47:49,560
a respectable fashion

1391
00:47:47,730 --> 00:47:49,560
magazine. This...!

1392
00:47:49,630 --> 00:47:51,430
- This has sold

1393
00:47:49,630 --> 00:47:51,430
more copies in a day

1394
00:47:51,500 --> 00:47:53,060
than we usually do

1395
00:47:51,500 --> 00:47:53,060
in a week.

1396
00:47:53,130 --> 00:47:55,600
This is gross

1397
00:47:53,130 --> 00:47:55,600
misrepresentation!

1398
00:47:57,240 --> 00:48:00,260
You're not thinking

1399
00:47:57,240 --> 00:48:00,260
of doing anything foolish,

1400
00:48:00,340 --> 00:48:02,210
are you, Victor?

1401
00:48:00,340 --> 00:48:02,210
- I ought to resign!

1402
00:48:02,270 --> 00:48:04,240
It's up to you.

1403
00:48:04,310 --> 00:48:06,470
We don't want

1404
00:48:04,310 --> 00:48:06,470
to lose you, Victor.

1405
00:48:06,550 --> 00:48:09,520
How nice.

1406
00:48:09,580 --> 00:48:11,450
I go sailing along,

1407
00:48:09,580 --> 00:48:11,450
unperturbed,

1408
00:48:11,520 --> 00:48:13,710
when I may have ruined

1409
00:48:11,520 --> 00:48:13,710
two reputations

1410
00:48:13,790 --> 00:48:17,190
and brought a prosperous

1411
00:48:13,790 --> 00:48:17,190
business crashing down!

1412
00:48:27,530 --> 00:48:31,030
Lydia, how could you

1413
00:48:27,530 --> 00:48:31,030
have done this to us?

1414
00:48:31,100 --> 00:48:32,540
- I didn't write it!

1415
00:48:32,610 --> 00:48:34,630
You are quoted repeatedly,

1416
00:48:34,710 --> 00:48:37,370
how you and your son

1417
00:48:34,710 --> 00:48:37,370
virtually set us up,

1418
00:48:37,440 --> 00:48:39,470
how Arthur was led

1419
00:48:37,440 --> 00:48:39,470
into a den of vice.

1420
00:48:39,550 --> 00:48:41,670
The distinct impression given

1421
00:48:39,550 --> 00:48:41,670
is the House of Eliott

1422
00:48:41,750 --> 00:48:43,980
was founded on funds

1423
00:48:41,750 --> 00:48:43,980
from illicit alcohol,

1424
00:48:44,050 --> 00:48:46,850
[crying] from drugs,

1425
00:48:44,050 --> 00:48:46,850
and from Lord knows what else!

1426
00:48:46,920 --> 00:48:49,050
- I didn't say

1427
00:48:46,920 --> 00:48:49,050
those things!

1428
00:48:49,120 --> 00:48:50,780
Then what did you say?

1429
00:48:50,860 --> 00:48:53,550
- Simply that,

1430
00:48:50,860 --> 00:48:53,550
as your older relatives,

1431
00:48:53,630 --> 00:48:57,320
Arthur and I naturally

1432
00:48:53,630 --> 00:48:57,320
encouraged you.

1433
00:48:57,400 --> 00:49:01,330
- When, in fact, you put every

1434
00:48:57,400 --> 00:49:01,330
objection possible in our way!

1435
00:49:01,400 --> 00:49:04,000
Oh, Beatrice,

1436
00:49:01,400 --> 00:49:04,000
don't scold me.

1437
00:49:04,070 --> 00:49:05,500
I feel so wretched.

1438
00:49:05,570 --> 00:49:07,400
Oh, you feel wretched?

1439
00:49:07,470 --> 00:49:09,000
- I said nothing!

1440
00:49:09,070 --> 00:49:12,670
I said not a word about

1441
00:49:09,070 --> 00:49:12,670
that dreadful Soho club.

1442
00:49:12,750 --> 00:49:16,380
The magazine added all that.

1443
00:49:12,750 --> 00:49:16,380
Would I bring it up?

1444
00:49:16,450 --> 00:49:18,440
I want to forget it!

1445
00:49:21,850 --> 00:49:24,290
Well, then, it must be

1446
00:49:21,850 --> 00:49:24,290
that detestable journalist.

1447
00:49:24,360 --> 00:49:28,090
What can you do?

1448
00:49:28,160 --> 00:49:30,360
I know what it's like

1449
00:49:28,160 --> 00:49:30,360
to have one's name

1450
00:49:30,430 --> 00:49:32,760
dragged through the mud.

1451
00:49:32,830 --> 00:49:35,930
You can protest all you like.

1452
00:49:32,830 --> 00:49:35,930
What people remember is

1453
00:49:36,000 --> 00:49:37,990
what they read about you,

1454
00:49:36,000 --> 00:49:37,990
in the first place.

1455
00:49:38,070 --> 00:49:41,010
Nothing wipes that out.

1456
00:49:41,070 --> 00:49:44,240
What effect will it have

1457
00:49:41,070 --> 00:49:44,240
on the business, do you think?

1458
00:49:44,310 --> 00:49:47,800
Well, nothing good,

1459
00:49:44,310 --> 00:49:47,800
I'm sure.

1460
00:49:49,920 --> 00:49:53,040
[Knocking]

1461
00:49:53,120 --> 00:49:55,710
- Oh.

1462
00:49:53,120 --> 00:49:55,710
Oh, Mr. Stride.

1463
00:49:55,790 --> 00:49:57,380
Mr. Victor Stride,

1464
00:49:57,460 --> 00:49:59,980
isn't it?!

1465
00:50:00,060 --> 00:50:01,960
I wish to see

1466
00:50:00,060 --> 00:50:01,960
your employers.

1467
00:50:02,030 --> 00:50:04,000
Miss Beatrice

1468
00:50:02,030 --> 00:50:04,000
and Miss Evangeline

1469
00:50:04,060 --> 00:50:07,360
have left instructions that you

1470
00:50:04,060 --> 00:50:07,360
are not to be admitted, sir.

1471
00:50:07,430 --> 00:50:11,270
I must see them.

1472
00:50:11,340 --> 00:50:12,770
I'm here to explain.

1473
00:50:12,840 --> 00:50:15,670
- As far as they're

1474
00:50:12,840 --> 00:50:15,670
concerned, Mr. Stride,

1475
00:50:15,740 --> 00:50:18,340
no explanation

1476
00:50:15,740 --> 00:50:18,340
would suffice.

1477
00:50:18,410 --> 00:50:21,510
I'm to see you

1478
00:50:18,410 --> 00:50:21,510
off the premises.

1479
00:50:23,820 --> 00:50:27,010
Perhaps you'd be

1480
00:50:23,820 --> 00:50:27,010
kind enough

1481
00:50:27,090 --> 00:50:29,320
to tell Miss Evie

1482
00:50:27,090 --> 00:50:29,320
I called.

1483
00:50:33,060 --> 00:50:37,020
My God.

1484
00:50:37,100 --> 00:50:39,960
What possessed you

1485
00:50:37,100 --> 00:50:39,960
to write that stuff?

1486
00:50:40,030 --> 00:50:41,520
- I didn't.

1487
00:50:47,940 --> 00:50:49,240
Fleet Street.

1488
00:50:49,310 --> 00:50:54,140
- If you can,

1489
00:50:49,310 --> 00:50:54,140
try to make them understand.

1490
00:50:54,210 --> 00:50:55,940
No, you

1491
00:50:54,210 --> 00:50:55,940
make them understand.

1492
00:51:06,660 --> 00:51:08,820
I don't know how

1493
00:51:06,660 --> 00:51:08,820
you can talk to that man!

1494
00:51:08,890 --> 00:51:10,390
- Beatrice, let me

1495
00:51:08,890 --> 00:51:10,390
tell you what he said.

1496
00:51:10,460 --> 00:51:12,560
I don't want to hear

1497
00:51:10,460 --> 00:51:12,560
excuses or apologies.

1498
00:51:12,630 --> 00:51:14,260
Bea, it's not

1499
00:51:12,630 --> 00:51:14,260
the end of the world.

1500
00:51:14,330 --> 00:51:16,270
When the collection

1501
00:51:14,330 --> 00:51:16,270
actually comes out --

1502
00:51:16,340 --> 00:51:17,890
- The collection is now

1503
00:51:16,340 --> 00:51:17,890
a huge risk, Jack.

1504
00:51:17,970 --> 00:51:19,840
We may have to think

1505
00:51:17,970 --> 00:51:19,840
of canceling the whole thing.

1506
00:51:19,910 --> 00:51:21,600
- Nonsense. It's just

1507
00:51:19,910 --> 00:51:21,600
what you need: the chance

1508
00:51:21,670 --> 00:51:23,840
to show the world just how

1509
00:51:21,670 --> 00:51:23,840
talented the Eliott sisters are.

1510
00:51:23,910 --> 00:51:26,140
And then, when it's over,

1511
00:51:23,910 --> 00:51:26,140
you can forget

1512
00:51:26,210 --> 00:51:27,510
about the collection

1513
00:51:26,210 --> 00:51:27,510
and you and I can get --

1514
00:51:27,580 --> 00:51:29,210
Don't keep on at me, Jack.

1515
00:51:29,280 --> 00:51:30,870
Please don't put

1516
00:51:29,280 --> 00:51:30,870
any pressure on me.

1517
00:51:30,950 --> 00:51:33,980
You know I hate it,

1518
00:51:30,950 --> 00:51:33,980
especially now.

1519
00:51:34,050 --> 00:51:37,350
Just leave me alone.

1520
00:51:37,420 --> 00:51:39,020
If I do leave you,

1521
00:51:37,420 --> 00:51:39,020
Beatrice,

1522
00:51:39,090 --> 00:51:43,360
that may well be exactly

1523
00:51:39,090 --> 00:51:43,360
how you end up: alone.

1524
00:51:45,700 --> 00:51:48,690
SUBTITLING MADE POSSIBLE BY

1525
00:51:45,700 --> 00:51:48,690
RLJ ENTERTAINMENT